JUXTACREATE
My Works: Click left or right arrowhead to scroll
In creating this commission of photographic artworks for a Wiltshire County dental practice, my intentions were threefold. Firstly, to attract the attention of nervous patients away from their anxiety. Secondly, to enhance the branding of the business by using a reduced palette and incorporating dynamic ratios of emotional significance. Furthermore, using the artworks to engage with the local community and arouse interest in the plight of the architectural subject matter i.e. the artworks depict re-imagined images of the many deteriorating 18th Century "village lock-ups" dotted around the county.
These historically significant structures were used to segregate miscreants pending local trial; and are in need of a grassroots approach to their conservation.
I noticed, as a parent, that a subtle way to comfort your child when they are unhappy is to distract them with something of more interest. This observation gave me the insight I used in my choice of theme for these artworks i.e. ornate buildings are often a topic of interest in a local community, therefore by subtly, or significantly, changing the photographic image it evokes a quizzical analysis by the viewer. The viewer is distracted by having to work out why they thought they recognised the building or structure, as it appears not quite as they may remember it. The intention being for their reaction to take their mind away from their anxiety.
For me the ability to temporarily control emotional attention via visual images, i.e. to capture and then release, drew an interesting parallel with the imposition of physical control inherent in the design of a lock-up structure, where the miscreant is captured and then released.
The artworks remain on display throughout the dental practice. However, for those who are either unable to visit all areas of the exhibition or want to explore the topic further, I created a hardback book of the artworks.
Book of artworks presented in the same restricted palette as the artworks.
This was my first foray into creating artworks to affect an emotional reaction by a public viewer. Wiltshire Council Heritage Service, based at the Wiltshire and Swindon History Centre, have shown an interest in holding an independent exhibition of these artworks. They provide access to over 8 miles of archives, dating back 800 years. They also house a Local Studies Library, the County Archaeology Service and the Conservation and Museums Advisory Service, including laboratories for objects and archives conservation.
In the future I would like to research and develop the skills necessary to curate a public exhibition in collaboration with foundries and sculptors from diverse backgrounds.